Category: Thrash Metal

Horn Section 11 - Uptown Horns - Horn Section Riffs For Djs Vol. 2 (Vinyl, LP)

8 thoughts on “ Horn Section 11 - Uptown Horns - Horn Section Riffs For Djs Vol. 2 (Vinyl, LP) ”

  1. Sep 23,  · Horn sections are one of the biggest challenges for synths and synth players. As Gigman points out how you play the sounds is a big part of it. I've heard many keyboardists screwing up articulations, mostly by not playing stacatto notes short enough. When a funk horn section plays a short note, it's SHORT - like a 1/th note.
  2. Aug 11, - Explore Funkateer5's board "horny horns.. (badass horn sections)" on Pinterest. See more ideas about Horny, Horns, Badass pins.
  3. Nothing brings the funk like a live horn section and the brass samples and loops you’ll find in ‘Brass & Reeds V1’ do exactly that. Don’t faff around with lame synth brass samples that sound like a broken kids toy, use the real thing and get that live sound with these super fly funky loops.
  4. The horn in the VS21 is a compromised horn, but it does everything it needs to do to provide upper-bass impact to complement the vented section. The horn’s output sensitivity serves to compensate for the inertia from the mass of the 21” cone. Without it, the power required to provide enough acceleration to deliver impact would be much higher.
  5. Funk Soul Horns, the first sample loop library that allows you to mix horn section parts the way you want to, using the instrument arrangements that work best for your musical creations. With Funk Soul Horns, you can create horn sections with saxes only, brass only, trumpet and tenor, minus the bari, or any combination you choose.
  6. With Vintage Horns you can re-create the most popular horn section sounds of the 60's and 70s, including: the Memphis Soul horn section, which typically used a single trumpet with one tenor sax and occasionally a bari sax the famous horn section sound of the JBs, which featured trombone, trumpet, alto sax, tenor sax, and bari sax.
  7. Jun 15,  · You know like most wanna-be jazz players, I work on my jazz stuff but most of my work is in three piece horn sections for various groups. At times it can be OK but lately I feel like I'm just a stage prop. The guitar guy gets 1/2 the stage and the bass player the other 1/2 with a two hour mic check for the drums. Meanwhile the horn guys are stuck in the back shoulder to shoulder not sure if.
  8. Nov 30,  · Horn section techniques, riff, stabs, permutations, sustained, parallel, density Ex 1. Combination of sustained background and syncopated riff Ex 2 and 3. Riff.

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